Script-lock & First
Dailies
The 508 semester at
USC Film school
#3 in a series of
16
13sep2000
Fade up & zoom in.
Wendy has script-lock. No more changes can be made to her script. If
profs didn't
set a date for script-lock, students would continue revising their scripts,
even after
shooting began.
The entire class saw everyone's test-shoot
footage. In cinematic lingo, they call this,
"viewing the dailies." Wendy's footage
came out good. The backlit scrim/veil footage
was a bit over-exposed, cuz
they took light readings at wrong place (scrim vs camera).
But even that came
out good. Footage of the dancer's footwork came out perfect.
Students get only a
small amount of film for their test shoot (3 mins worth), but it takes
all day to shoot. They may re-shoot the over-exposed scrim shot if they have
extra film
remaining at
the end of the project (not likely).
Wendy said the stuff shot by Luke was gorgeous. She told Luke's partner, Keith, how
lucky
he was to have Luke as partner. Luke is from Canada - short, thin. Wizard with
the camera. One of the best cinematographers in the class.
Wendy asked Luke to partner with her for 508, but he turned her down, and
partnered
with Keith instead .. cuz Keith is into SciFi, and Luke wanted to do
something SciFi.
They may want to repeat something like George
Lucas' famous student film THX-1138.
Wendy said Luke's stuff looked better than THX-1138.
I asked Wendy if Luke & Keith's
footage was better than hers & Lisa's. She said,
"Theirs was more
masculine - hard angles, space-age stuff .. while ours was more
feminine - softer, dreamy, dancing, dresses.
Students have been instructed to submit
weekly journal reports to (only) Prof + TA.
A private thing. Three categories:
1. How's your project going?
2. How are you doing?
3. How's things going w/ your partner?
Five questions per category. One of the
questions is this:
Brief essay (1 page or so):
What has
tugged at your sleeve to this point in your life? What has worried u most?
pleased u? saddened u? outraged! u? given u joy unspeakable? What have been
your
concerns, dreams, obsessions, demons? What has made you pay attention? What
have you tried
most to ignore?
What have been your turning points? What now feels most important, meaningful,
fulfilling? What do you value most? Be specific, no
generalities. Provide vivid images
w/ fine details. Don't get bogged down w/
grammar. Write quickly! spontaneously!
w/out self-judgment.
***
Fights between partners are legendary.
Sometimes, a partnership will develop that
lasts a lifetime .. but, more often than not,
not.
Another person is affecting your art .. something dear & personal to the artist.
Their bad shot, or bad cut, can make your film look like crap. It's easy to take
things personally.
Some partners never speak to each other again. Wendy & Lisa
have an agreement to discuss things when problems arise.
Wendy says she doesn't expect Lisa to be
perfect, & she tries to get Lisa to do more
of the things she's does well.
Nobody's good at everything. They seem to be getting
along well.
People who want to
be a Director tend to have strong, opinionated personalities.
Film school can be like putting 50 male betas in one tank.
From what I've seen, her
classmates are people who have a strong desire to create
their own
reality. Cinema gives them this creative ability.
***
Looks like the rumors are true .. this
semester is going to involve a lot of work.
She's still discovering things
she'll have to do this semester. I usually like to hear
about what she'll be doing, but finally had to tell her, "Don't tell me anymore.
You're making my head hurt." It seems to me that there's no way she'll be able
to do
everything she mentioned.
Wendy was up until 2:30 last night. She had to get up
at 6 today. Can't do that
for very long. We're on 2nd crock of root-rich,
nuclear-grade beef stew already.
I was gonna send a jar with Wendy for Lisa,
but she is a vegetarian.
After Wendy's movie is done, half way thru the semester, things should ease up
a bit for her. That's when they'll be working on Lisa's film.
I'd list all the projects she has assigned, but it would make your head hurt. One
bright spot is
that Wendy is a Critical Studies major, which means she's already
seen some
of (weekly) movies they'll be req'd to view & write reports on .. for
the History of
Cinema class.
This may give small advantage, but even as a C/S
major, there are still a surprising
number of classic movies she has yet
to see. Our local Blockbuster does not have
these obscure titles. She'll have to get them from the USC media library, or buy
them at Amazon.com. One title she saw at Amazon.com, was $89 (+ tax & shipping).
USC media library, here she comes.
She has to fill out a detailed sheet for each individual scene. She has 25 scenes.
Every imaginable detail is included. I heard her mumble, "What're they trying to do
to
us?"
Seems that making a movie, even
a short one, involves almost constant, intense
concentration, working out
the finest details of your script, and coordinating its
production. She has
been in somewhat of a daze, last few days. I try to take care
of basic stuff, like food, gas in car, so she can float more freely in the creative ozone.
Lani has gone back to UC Santa Cruz. Her sophomore year. First time with her own
place (dorm last year). She just called to
say they went shopping, bought groceries,
& had their first meal at their new place. Says they're close enough to hear seals
barking at night.
Said she's gonna get dressed up and apply at 6 of the fanciest
restaurants in Santa Cruz. Her classes start in 1-2 weeks. Getting settled
in before
school starts.
Wendy just got email from Michael
Hoppe, who authored the CDs (among others),
Poet and
The
Yearning -
from which Wendy used songs in her films. She wrote to
Hoppe and asked if she
could use his (copyrighted) music in her movies. He said,
"Send me a
copy." Said he was going to England to do a CD for the Queen and
would return in a few weeks. His follow-up reply:
Dear Wendy,
Have just returned from celebrations in
UK for the Queen Mum (I was even on NBC!)
to find your excellent film. I
very much enjoyed your distinctive and sophisticated
imagery, and the subtle
use of the music. My congratulations. Most impressive!
I hope you will do more films and my
music is always available whenever you want it.
Best wishes,
Michael
Fade to black.
Next -> First
Primary Shoot
Previous -> First
16mm shoot
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